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The Return of New Hampshire Fiddle Madness - Friday Show

How delightful to be at a Celtic music session, listening to enchanting tunes from Ireland, Scotland,  Shetland, Cape Breton,  and of course our own Celtic-influenced New England music. Part of the magic of such a session is the intuitive interaction between musicians, a spontaneity that can only come from years of familiarity with the repertoire. That’s what you’ll experience at this Music in Bass Hall concert as some of the region’s finest performers come together for an evening of Celtic music. This will be their third appearance for Music in Bass Hall, with 2020 being a hiatus. The band is really looking forward to seeing old friends and meeting new ones.

While these musicians have played in various configurations with each other for many years, this is a rare opportunity to hear them all performing together. 

A second show may be added on Saturday if the Friday show approaches sell-out.

Please note that all tickets must be purchased in advance of the show. No tickets will be available at the door. Purchase your tickets online below or call the Monadnock Center at 603-924-3235 to purchase your tickets by phone. Audience members are required to wear masks, and must show proof of vaccination upon arrival.

Skip Gorman’s natural affinity for Celtic music has been reinforced by his many trips to Ireland, Scotland and Shetland. He masterfully captures the intricacies of each genre with his fiddling. Skip’s breadth as a musician includes also being a mast…

Skip Gorman’s natural affinity for Celtic music has been reinforced by his many trips to Ireland, Scotland and Shetland. He masterfully captures the intricacies of each genre with his fiddling. Skip’s breadth as a musician includes also being a master mandolin player (in the tradition of Bill Monroe) and a cowboy singer.

Jane Orzechowski has been a mainstay at contra dances for several decades. She is the 2019 recipient of the Governor’s Arts Awards for Folk Heritage. Her original interest was in Swedish fiddling, but her repertoire quickly grew to include all the influences, including Celtic, that form the basis for New England contra dance music.

Jane Orzechowski has been a mainstay at contra dances for several decades. She is the 2019 recipient of the Governor’s Arts Awards for Folk Heritage. Her original interest was in Swedish fiddling, but her repertoire quickly grew to include all the influences, including Celtic, that form the basis for New England contra dance music.

Sarah Bauhan stared playing flute and penny whistle as a teenager, and while her music encompasses the broader New England styles, she has a special affinity for Scotland, where she visits as often as possible.

Sarah Bauhan stared playing flute and penny whistle as a teenager, and while her music encompasses the broader New England styles, she has a special affinity for Scotland, where she visits as often as possible.

Randy Miller co-authored (with Jack Perron) and published the New England Fiddler’s Repertoire, Irish Traditional Fiddle Music, and William Marshall’s Scottish Melodies. He has played for dances and concerts throughout the US, Canada, and Europe.

Randy Miller co-authored (with Jack Perron) and published the New England Fiddler’s Repertoire, Irish Traditional Fiddle Music, and William Marshall’s Scottish Melodies. He has played for dances and concerts throughout the US, Canada, and Europe.

Roger Kahle is a stellar guitar player whose innovative explorations of DADGAG tuning put him in demand at regular sessions in central New England. 

Roger Kahle is a stellar guitar player whose innovative explorations of DADGAG tuning put him in demand at regular sessions in central New England. 

Gordon Peery  has played piano for contra dances for over four decades. He moves seamlessly from high-energy accompaniment for driving reels (one fan called his style “barrelhouse Irish”) to subtle accompaniment for delicate airs. 

Gordon Peery  has played piano for contra dances for over four decades. He moves seamlessly from high-energy accompaniment for driving reels (one fan called his style “barrelhouse Irish”) to subtle accompaniment for delicate airs.